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Showing posts with label history as irony. Show all posts
Showing posts with label history as irony. Show all posts

Tuesday, 13 May 2014

Getting the point of pointlessness (Or, Back on the piste again. ... In which I dabble in philosophy)

[This is the paper which I gave at the 49th International Congress of Medieval Studies, in Kalamazoo MI last Saturday.  It went through at least three versions up to this point, in what might be seen as a miniature example of the general point being made.
My thanks to Patty Ingham and the Exemplaria editorial team for allowing me to speak at the session, which, my piece notwithstanding, was a very good one.  Thanks also to patty for her opening question, which opened up a great discussion, to Elizabeth Scala for chairing, and to Peggy McCracken for rigorous questioning on the humanist point.]

In this paper I am doubtless going to discuss issues and problems that long ago ceased to be critically imperative elsewhere in ‘medieval studies’, and responses to them that I am nervously – painfully – aware will sound naïve, glaringly obvious, or probably both, to the philosophically-aware from those other subject-areas.  Please bear with me; in history the problem I will discuss does seem to me to be an issue.  Perhaps, on the way, I will raise points that resonate with other disciplines’ critical imperatives but I am principally here to hear your thoughts.  As will be clear, this is very much new territory for me.

***

Of all the humanities, with the possible exception of philosophy, History has perhaps the longest and most grandiose tradition of a sense of its own point, purpose, or transcendent worth, or at least of worrying about it.  From Thucydides onwards, the point of history has exercised its practitioners and produced a galaxy of grandiloquent statements of History’s enormous value to society.  ‘A society with no history is like a man with no memory’; ‘those who do not know their history are condemned to repeat it’; that sort of thing.  Whether this obsession is to be understood as revealing a subliminal recognition of History’s absolute lack of utility or value is a question I will to some extent sidestep…. Nonetheless, against this background it is not surprising that the so-called linguistic turn should have had such an unsettling effect.  After all, the arch-empiricist nineteenth-century idea expressed by Leopold von Ranke, that history should be about ‘telling it just as it was’ (wie es eigentlich gewesen) held sway over the discipline ever since, as a foundation for judging the quality of history, in particular as the touchstone of professional historical writing.  The theory wars in literature surely produced their fair share of invective, but perhaps not the panic that they engendered in history.  After all, with so much at stake, over centuries of reflection on the issue, what would be the point of history if the straightforward re-description of the past were no longer possible? What if all history really was fiction?  What if there really were no difference between historians and … … literary scholars?! 

Nonetheless, the historical front of the so-called ‘Truth Wars’ of the 1990s was a fairly unedifying and intellectually low-level skirmish, a veritable festival of point-missing.  (Or, put another way, if you think this paper is bad, you should read what it's kicking against.) On the one side, the more traditional wing maintained a ‘common-sensical’ defence of History as, to some extent, the factual recreation of the past.  Implicitly, on the other side it was too, among the the self-styled 'post-modernists' [no, really]; if the factual recreation of the past wasn’t possible, history itself wasn’t possible. The latter apparently thought and think the writings of Derrida et al authorise the relativist claim that there is no truth even at the lowest empirical level of historical fact; their opponents accepted this claim and then accused them of legitimising holocaust-denial – the continental philosophers upon whose work the ‘post-modernists’  based their argument were caught in the crossfire (egregiously misread or, ironically, unread).  And there the debate – insofar as it ever really was a debate – seems to have stuck, with both sides continuing to talk past each other or, more commonly, not talking to each other at all. Most of the discipline, though, has continued in what Žižek would call an ideological fantasy, the ‘je sais bien mais quand-même’.  Although accepting that writing history ‘wie es eigentlich gewesen’ isn’t possible, they go on writing as if it were.  Historical method and the standards by which history is judged remain ultimately predicated on the possibility of retelling history ‘as it was’.  Now, modern theory is much used in history – let’s be clear – and well-used, especially in late antique history.  Good medieval historians don’t simply quarry their texts for facts any more.  But this awareness has, it seems to me, tended to operate at the more local, methodological level, deployed to make reconstructions of the past more sophisticated but not transferred to the level of what history can or might be.

***

My question, providing an answer to which is, for me, a critical imperative, is whether history can play a bigger role than simply describing historical facts (something that most historians at least appear to consider the sine qua non of proper history and which is especially important to me, as someone not from an academic background), without falling into the old trap of believing there is a ‘truth’ or even a true account to be reached about history.  Simultaneously it is whether one can continue to recognise that there is no object history, against which the important levels of historical endeavour can be judged, without lapsing into epistemological nihilism.  This matters in historical dialogue.  As throughout academic discourse, the concern can be to convince everyone else that you are right (and they are wrong), to change the paradigm, and so on.  This does not necessarily take a macho, open, confrontational form; it can be masked by overt statements about consensus, covering operations of power every bit as insidious and frequently working to rule out discussion.  Obviously, though, discussions that hinge on consensus, paradigmatic dominance and so forth are ultimately founded upon a Rankean notion that one explanation can be ‘truer’ than another.

Where do ethically- or politically-committed historians go from here?  It is rather pointless to restrict history to the level of establishing and cataloguing things that did or didn’t happen, and in my view equally pointless to tell stories about the past which offer no basis for action in the present and/or which don’t differentiate historical endeavour from other forms of study.  To anticipate the broad outline of my argument, what I want to explore is the possibility, not of going forward into some kind of post-history, so much as a return to something like the pre-Rankean idea of history as ‘philosophy teaching by example’.  The other key element of these necessarily inchoate thoughts is that Derridian occupation or the Nancéen hesitation on the edge, of, a resistance to, a refusal of, the space/moment of Hegelian Aufhebung.

In suggesting some responses, I am making use of a fairly closely interconnected cluster of philosophers, but principally drawing upon the works of two: Simon Critchley, above all in Very Little … Almost Nothing, but touching upon his other writings; and Jean-Luc Nancy, mainly in La Communauté Désoeuvrée. Critchley and Nancy both draw on Maurice Blanchot as something of a touchstone, and there is not coincidentally a constant circling around the works of Derrida and Levinas.  I confess to not finding these works – especially Blanchot’s – easy, and I am very conscious that I may be mangling them, so you are welcome to call me out on that.  I must also confess that I am not claiming to offer a detailed exegesis or application; I have tended to use these texts in a slightly freewheeling way, as a springboard to my own thoughts, which I hope are at least moderately consistent, between themselves and with the general thrust at least of the ideas that inspired them.

My own confrontation with this problem starts from two unfashionable points: a modified empiricism and a modified humanism.  I adopt the first not out of pragmatism but because all critiques of empirical history that I have read seem ultimately founded upon an ability to make choices to some extent based upon an acceptance of some kind of empirical status for the bases of those choices.  It is impossible to stand outside at least some sort of empiricism.  I espouse a modified humanism because of what I see as the political-ethical demand at the heart of the historical project, to which I will return, and also because of my own political reservations about at least some aspects of post-humanist writing.  No hierarchical distinctions or impermeable boundaries, just the insistence on the importance of recognising a common human experience, in all its suffering and finitude.  That seems to me essential to a committed history.  Does that let a different transcendence in by the back door?  Perhaps.  But to steal Critchley’s formulation, a very little one … almost nothing.

To begin at the beginning, what brings us to the study of history?  What lies in that moment of fascination, when we first think of finding out more about history?  What lies within the moment when we first decide we want to write about the past?  Is it an aesthetic moment?  One of attraction? One of desire?  Or is it rather something more akin to dread?  I think that there is something of all of this in different ratios, but, whatever one may decide to do after that initial moment, it is crucially pre-rational.  It is the moment when, as I was reminded on Thursday, Benjamin says that the past flashes across the centuries – I don’t remember the term Benjamin used but suspect it may have been Schein, with all its Hegelian undertones.  On the whole it may be best to think it through Barthes’ notion of the punctum, which I think it is useful to remember, contains an connection, linguistically at least, with trauma.

What seems to me to be common to any of these options is the sense of a thing which is there and yet not there.  We might want to think this element to some extent in line with the il y a, which Blanchot adapted from Levinas.  Obviously in this context, it is not entirely flippant to see this simultaneously as the il y avait, the ‘there was’, and is not.  There lies one of the many points which so-called post-modern history has missed, in its obsession with endlessly repeating the glaringly obvious point that history is not the past itself, as though this were somehow an epistemological issue limited to history.  The idea that there we feel something out there that talks to us (and of which the material traces, actually are out there and do speak to us) and in the gaze of which we imagine ourselves, seems strangely not to figure.  This does seem to me to be assimilable, in concept or in function, with a number of other concepts, such as, perhaps, the Lacanian Real in at least some of its manifestations, especially if, with Critchley, one wants to insist upon the traumatic nature of the Levinasian il y a.  An exploration of this space of engagement obviously entangles us, or conjures, Derrida’s hauntologie in Spectres de Marx, itself in a way a kind of structuring trace, a différance.

How to respond?

There may be much in Blanchot’s L’Espace Littéraire (however hard…) that can be thought with by historians thinking about the process of writing history.  The issue of fascination – a potentially destructive fascination – is one; the idea of a summons to write a sense of pure exteriority might be another – the past seems to me to be as pure a form of exteriority as there can be.  Then there are, and here I am drawing more heavily on Critchley’s Blanchot, the two pistes or slopes of literature (or history-writing).  One, would be that which seeks to dominate, by reducing to or ordering, classification within language, by shaping into a narrative, to insist upon the rightness of a singular explanation: the similarities with the stage within the Phänomenologie (ch.3?), where the self-consciousness understands itself through its ability to consume is fairly clear.  Ironically, to my mind, it seems to me that both traditional and soi-disant post-modernist approaches can equally – if in different ways – be seen as on this slope.

The other piste is the attempt, so to speak, to see through language to what lay before, to get back to the original.  Clearly, this is very frequently what traditionalists think they are doing.  Rather than the triumphal domination of the other slope, this is an attempt to erase writing, to merge the description with its object.  But crucially these aren’t really choices.  The point of Blanchot’s two pistes, in Critchley’s reading, is that one never knows which one is on, without thereby switching to the other.  Here, for my purposes, lies important ambiguity and potential irony.

In particular, the imagery of the slope is useful to me because it will bring me to a vision of worklessness, of a commitment to the work – one that is never finished, however one is misled by the production of the finite piece – the book is a ruse – says Blanchot.  [Or, the unit of assessment is a ruse. At this point I riffed ironically on the idea that we might rather embrace the REF as an ethical space of Blanchotien désoeuvrement.]  Blanchot’s statement resonated with me.  I am surely not the only one here who towards the end of a project – and maybe it is just the seemingly interminable tedium of those last stages of checking and footnoting – really feels that when this is done one will have said one’s last word – never again – that’s it from me - and yet, as soon as the manuscript is sent off, somehow races to the idea for the next thing. Therein, it seems to me, lies one means of hesitating between the options of transcendence and nihilism.

This hesitation, as I said, opens up spaces of irony or undecidability.  One of the issues especially discussed in Critchley’s account, and crucially important to me, is finitude – as someone who made his name studying cemeteries, I guess it would be.  Critchley’s reading of Blanchot finishes with a vertiginous experience of finitude opening onto ‘compassion for suffering humanity’.  This is my modified humanism.

The moment of punctum, I would like to suggest, draws its force from its revelation of some other human experience.  Here lies my empiricism, in that one assumes that some experience of the world was acting sufficiently upon – had sufficient ‘reality’ for – past people to cause them to react in ways that leave a historical trace.  I propose, at the heart of this ‘moment’ lies an ethical demand, to listen to the other person (perhaps broadly assimilable with Levinas’ autrui).  This is, to be honest, only a restatement in different language of a standard historical methodological injunction.  It is, of course, a doubly – triply – multiply – impossible demand.  It is impossible really to listen to that voice (at all sorts of levels); it is impossible to recreate the reality that called it forth; and, with Critchley’s Infinitely Demanding, all ethical demands are impossible.

So how do we respond to the pointlessness to which that multiply-layered impossibility might seem to condemn historical endeavour.  Here, I draw yet again on Critchley’s oeuvre but this time his insights in On Humour.  Can we suggest a way in which laughing with (again) a shared human futility might be a more productive means of bearing the unbearable ethical weight of being a historian?   The value of being able to laugh at the endless futility of rolling Sisyphus’ rock up the hill is that it reminds us that, like Sisyphus’, the task of history is and never will be finished.

Again not coincidentally, there are affinities with the notion of the horizon in Derrida’s work, perhaps especially the open, Messianic horizon in Spectres de Marx.  This might be seen as operating in different dimensions.  It seems to me that the encounter with the past, in its singularity, should open up ethical reflection on justice, in its universal dimension, just as Derrida discusses in Spectres... But to paraphrase Derrida on Hegel, we will never be finished with reading and re-reading our historical sources.  The reflection on justice, though, surely comes via empathy and a notion of iterability, my modified humanism, which in turn enables some sort of political action in the present.  That, in turn, provides, for me, a different and more sophisticated ethico-political means of choosing between histories.

[There were two elements of the argument, of which space precluded discussion.  One was the extension of this point through writing history, in the ironic mode, see Barbarian Migrations, and also the Gaps Ghosts and Dice musings on this blog.  The other was the sense I have that in some ways Gregory of Tours'sense of history is not entirely dissimilar from certain aspects of this argument.]

I would like to propose that this might lead to a somewhat different form of historical discussion, which might move away from the obsession with paradigmatic, explanatory dominance and consensus.  Implicit I hope in all the above is an openness of dialogue.  With a move away from a striving for consensus comes a purer form of community, such as Jean-Luc Nancy has discussed in numerous writings.  What I am arguing for, alongside this sense of history as constant movement in the space of the present, is, in Nancy’s term, an unworked community (communauté désoeuvrée) – une histoire désoeuvrée, if you like – one which recognises and values disagreement (such as, ironically, current post-modern history gurus seem not to) while preserving grounds for critical engagement and response.

The last line of Sellar and Yeatman’s classic 1066 and All That is that, when America became Top Nation, “history came to a .”  The irony is that, although to a British reader that said “History came to a [full stop]”, to an American it said “History came to a [period]”.  We might also read it, with the French, as “History came to a [point].” But the only way that history can have any point, at any point, is to realise that there is no point to which history can ever come.

Thursday, 19 July 2012

Gaps, Ghosts and Dice, Version 2.0

[Here is the text of a key-note paper I gave yesterday to this conference, under the title of 'Each thought is a throw of the dice: Transition and Irony, Chance and Change'.  it was a nice one-day follow-up conference (to a larger two day affair in May).  It is in part a rework of my earlier 'Gaps, Ghosts and Dice' post which I think makes it those points a lot more clearly.  Then it develops the points to explore some implications (including ethical and political ones) for the study of transition and change in history (or indeed in related disciplines).  The clarifications and digressions of the initial version still apply!]


Introduction

Seventeen years ago I published an article entitled ‘The Merovingian Period in North-East Gaul: Transition or Change?’  In this piece I principally argued two things: first, at a general level, the concept of transition is essentially teleological.  The whole concept of transition depends on one having determined, after the event, the start and end points of the transition.  ‘From X to Y’: think of how many books and articles have titles of that formula or the related one: ‘the origins of X’.  It relies on one determining from what, and to what, things are in transition.  This tends to remove people from their history; mostly people don’t experience their lives as transitions, largely because they don’t know where their lives are going.  I borrowed a rather nice quote from Ferdinand Lot to open the article - ‘…we who, in regard to our ancestors, are gods because we know their future’ – and, characteristically perversely, the example of Fountains Abbey.  The transept tower at Fountains was completed in 1526, and is an impressive monument at an impressive site – but a ruined site.  Within ten years of the tower’s completion Henry VIII had begun the process of dissolution which in 1539 would see the Fountains monks expelled from their site.  If historians regard the sixteenth century as a period of transition, it can hardly be thought that the Cistercians of the Yorkshire Dales saw things the same way.  As I wrote in 1995:

The only transition that, in c.1520, the Yorkshire monks and canons thought they were living through was one to a period of prosperity and better management, as manifested by their works of restoration and improvement, certainly not one of ‘reformation’, let alone one from ‘medieval’ to ‘early modern’; in that respect they had more important things to think about.
The second, more specific, point developed the first.  The article originated as a contribution to a conference on ancient to medieval transitions.  I argued that to view late antiquity, or Merovingian Gaul, as a period of, or place in, transition muddied the waters by obscuring all the dynamic change that took place within the centuries grouped together under the heading of ‘late antiquity’ or ‘the Merovingian period’.  In all such approaches we prioritise processes that wesee, from our perspective, as having led somewhere, at the expense of all those which we know, but crucially people at the time didn’t, weren’t to lead anywhere.  I didn’t make as much of that last point as I would have done had I written the piece ten years later.

In 1995, I was concerned with the dynamism of change.  Partly this was political – partly local, academic political, in that I wanted to make clear that the Middle Ages wasn’t one big millennium-long lump that a single member of staff could be expected to cover all of; partly political in the wider sense, in that I wanted to argue for the human scale, the lived experience, of historical change and thus that all people have a role to play as historical agents (this, remember, was written in the depressing aftermath of the 1992 general election).  High level political change was intimately related to myriad decisions made at local levels – even in the fifth-to-eighth centuries.  All this, it won’t be surprising to learn, was born of an encounter, via post-processual archaeology, with Anthony Giddens’ concept of structuration and Pierre Bourdieu’s notion of the ‘habitus’, both of which in their own ways concern the recursive relationship between ‘structure’ and agency.  The structure within which people act is itself formed by a sort of memory bank of all previous actions and their acceptance or otherwise, a memory bank constantly remade or altered (in however infinitesimal way) by practice, by the innumerable, on-going actions of myriad social agents.   This approach has informed almost everything I have written since then.

That said, the extent to which it can be harmonised with the approach that I am going to suggest today is a problem to which I don’t yet have an answer.  What has increasingly interested me over the last decade is the irony of history.  That is to say that what happens in history may not be the result of one social actor failing or succeeding, or compromising to some extent, vis-à-vis his or her aims, in his or her relationships with another, which is the way that I – and I suspect most historians – have tended to view the issue.  Rather it might be something intended by nobody.  This is something I discussed in the central section of Barbarian Migrations and the Roman West, where I tried to construct a historical narrative in the ironic mode, attempting to depict events unfolding without colouring my account or analysis according to what I know (but my subjects didn’t) was going to happen next.  This was to some degree an exercise in writing without the usual portentous phraseology of historians: ‘and so it was that, for the last time, the Roman army campaigned north of the Loire’; ‘this decision was to have fatal consequences’; that sort of thing.  It’s a lot more difficult than you might think…  Going back to the terms of my 1995 article, what sorts of ‘transitions’ did contemporaries think they were living through, or trying to bring about, which actually went nowhere, or went in a completely different direction from the one intended?    The usual methods of history have a tendency to ignore all this by assuming that the path of history is cut by agents who know where they are going and are capable of bringing about the changes they want.  History is thus deliberate.  While I don’t want to remove the knowledgeable social actors or the ability to effect change from the equation, I am increasingly convinced that the course of history is fundamentally unintended, chaotic and accidental.

Folding the Ribbon of Time

To explore all this further I am going to talk about historical narrative and to explore it using some concepts from the two Jacques: Lacan and Derrida, principally the latter.  Where these thinkers and their like have been used in the past, it has generally been in the issue of analysing written (or other) sources or in the problems of extrapolating from such data to historical ‘reality’, a rather pointless debate in my view.  I’m sidestepping that to some extent to look at history, or rather at narrative, itself.  I’m also going to use Derrida to do something creative rather than in the way that he has been used by past theorisers of history, where he serves simply to bolster a posturing, half-thought-through epistemological nihilism – which does him scant justice.  Before I go any further I should make clear that I am no expert on the philosophy that I am using as a springboard for these thoughts; I’m not setting myself up as, any sort of philosopher.  I’m an absolute novice in all this. 

I am currently working on a project provisionally entitled ‘The Transformations of the Year 600’ – an exploration of the wide-ranging and diverse changes that occurred between c.560 and c.650.  As this period has long been regarded as one that saw the ‘transition to the Middle Ages’, the issues of change and transition are of some importance, as they have been throughout my work – perhaps even more so.  In tandem with this, though, I am also interested in the politics and ethics that inhere within the historical project.

All that having been said, none of this represents any kind of fully worked out thesis.  These are ideas, if you will, in transition and – like, as I will argue, everyone involved in what might someday be seen as a transition – I have no idea at all how they’ll turn out, if they turn out as anything at all.  Let me just try out some ideas with you and see where they go.

Let’s start with some pretty basic and uncontroversial modelling.  Maitland said “[s]uch is the unity of all history that anyone who endeavours to tell a piece of it must feel that his first sentence tears a seamless web”I think that it is time, as it is lived and experienced, that is the seamless web (or, for the sake of diagrammatic convenience, we might see it as an endless undifferentiated line).  History, I will try to demonstrate, is itself the seams in the web.   Let’s envisage past time as an endless ribbon; a ribbon extending up to the present moment (itself ever moving) (as left).  Now, while we might be able to imagine that past, it is, I contend, impossible to make sense of it without selecting particular elements from all those events that have already happened and placing them in a sequence, rightly or wrongly.  
Prior to such activity the past is shapeless, amorphous, unsymbolised, rather than our neat ribbon (right).  It can be imagined but not really made sense of.  History is surely the inescapable and absolutely essential process of making seams in that web or, in our diagrammatic metaphor, that ribbon.  That process inevitably involves a process of winnowing; you can’t remember everything that has happened (unless you’re Funes the Memorious in the Borges story), and you can’t record everything in a history.  We’ll return to the implications of that.  



For now, let us place our chosen sequence of events along our ‘time-ribbon’ (left).  The space between our chosen events is the amount of time that elapsed between them.  However, when we compose, relate and perhaps write a narrative, those time-lapses are erased.  It is as though we bring all those events together, bunching up our ‘time-ribbon’ between them (right).  We often talk of a narrative thread and I would develop that metaphor to mean that thread that we use it to ‘stitch together’ or sew up the events in our story.  

If we give a more 3-D representation of the effect, it would look like this (left).  All the ‘loops’ in the ribbon are, as we have seen ‘eradicated’ and thus concealed from the reader, listener or other consumer of the narrative.  Thus to envisage what our narrative really looks like, concealing the ‘loops’ of unrepresented time, we have to view the ribbon from this side, [the blue arrow in the diagram) so in fact it looks like this (above right).  Each of these folds stitched together by our narrative thread is an event, between our start and end points, and here the only thing that determines the width of the fold from this perspective is the amount of time we devote to describing the event, and thus its relative importance, as we see it.  The relative time between each event has no depiction in the account.

If you want an idea of how things might look otherwise, it might look this two-page spread from Stéphane Mallarmé’s most famous poem, ‘Un Coup de Dés’ (above).  Mallarmé set out the poem with varying spacing over each two-page spread and in different fonts, to try to represent the themes he was exploring.  Different fonts linked particular ideas which made sense on their own, even though the poem read left to right (over each spread) and down the page, as usual.  This, for example, is actually part of the title (Un Coup de Dés n’Abolira le Hasard).  I often wonder about writing history like this, with spaces of different lengths indicating the amount time elapsed between events, and different fonts and font-sizes representing the different threads within the story.  It'd be a huge task and a real work of art, and would sell about three copies even if someone took it on.  But it'd be interesting.

To return to our ribbon metaphor, though, you could break the thread at any point and look at the cloth opened up – say look at the space or the transition between the second and third ‘events’ in our sequence (left) – but to understand it you would still need to make it into a sequence of smaller folds (right); open up one of them and look at a smaller piece of time but have to stitch that into smaller folds still, and so on.  Or you can unpick all of the seams and behold the whole ribbon opened up – and return us to our blurry, undifferentiated ‘ribbon’ but, inevitably, you will only be able to make sense of it by stitching it together again, even if in a new way, with different bits of cloth (time) concealed in the folds.  You can argue that the latter is what happened when historians stopped thinking that their subject was simply the chronicling of high politics, kings and wars, and started thinking about social history, or women’s history.  For today’s purposes, you could say another example came when historians cut the thread at the great fold that lay at 476 and the End of the Roman Empire and made a new fold, called Late Antiquity. 

Everyone who has ever lectured to first-year history students about the perils of periodization knows that historical periods are, fundamentally, simply units of convenience that mask certain continuities by fastening upon other pre-determined aspects of change.  But the problem reaches down much further than that into the very way in which we write the narratives (I like to call this stage ‘chronicling’ rather than ‘history’) that we then analyse and explain, which, in my view, is ‘history’ properly defined.

Obviously, though, all that folding or seaming, stitching or threading happens after the event.  Deciding what constitutes an event in the first place, what marks the edges of a fold, how we write about them in purely descriptive terms, and so on, is all ex post facto.  It’s a truism that very rarely (outside the obvious limit cases) do people see the events through which they’re living in the same way as later historians will.  Between 1914 and 1918, for example, we could say that people were experiencing the horrors not of a ‘war to end wars’, as they (or some of them) thought, but of a curtain raiser for an even more horrible war.  I have written that before about 470 at least, it is very unlikely that anyone alive in the fifth century thought they were living through ‘the Fall of the Roman Empire’.  Now I’d argue that that may even have been true for people alive for two or three generations after 470, too.

None of my comments thus far is – I readily admit – startling, new or profound.  At its most basic, essential but initial level, history is the process of symbolising the past.  It’d be uncontroversial to say that we can’t even imagine the past in any meaningful way without this sort of process happening first.  We can imagine all that protean mass of ‘stuff what happened’ but we can’t access any of it without selecting from it, placing those selections in sequence, evaluating them and having some idea of their meaning; in other words without placing it within the symbolic order.  Only then can we really begin to think about the past.  Thus, ironically, it is true to say that memory – or history – happens before the past. 

Historical Narrative is structured like a Language

Here, I hope, things might begin to get more interesting.  I’m going to steal Lacan’s famous comment that ‘the unconscious is structured like a language’ and twist it to make a different point: Historical narrative is structured like a language. 

What I mean by that is that events gain their meaning within sequences from their juxtaposition with other events, before and after, like words.   It is these juxtapositions that allow us to emplot historical narrative as tragedy or as heroic epic, or in an ironic mode, or however.  It’s not just that we have to use words to describe events, which make sense only through signifying chains of difference; events themselves – types of events or specific events – have different meanings according to the way they are emplotted within a narrative. 

This is old news as anyone who has read Hayden White knows.  But let’s return to our stitched ribbon of narrative and explore what is implicit in that potential difference in meaning.  Behind the ribbon, invisible from our perspective, are all those loops of ribbon: time that has escaped symbolisation (as right).

It’s these loops which I want to think about.  The spaces or gaps in the narrative that they represent are where history happens.  They are the spaces – as I will return to discuss – where nothing is decided and where time has not yet been symbolised in any way – where time or the past has not yet become history.  In that sense I like to think of them as the spaces of The Real in a way that is influenced by Lacanian psychoanalysis via Slavoj Žižek.  For those who haven’t risked an encounter with Lacanian theory, The Real is, with The Imaginary and The Symbolic, one of Lacan’s three orders (right).  Essentially the Real – the trickiest of the three orders to grasp, not least because Lacan himself changed what he meant by it  – is the stuff that’s out there; it’s not ‘reality’, as such, as distinct from imagination, so much as what escapes the process of symbolisation.  It is fleeting, always shifting around on the edge of your vision, and yet always in the same place.  Any encounter with The Real is traumatic.  We could attempt a preliminary transposition of Lacan’s three orders, as they relate to history, thus (below, right).  

The spaces closed up, represented metaphorically by the loops in the ribbon represent the temporal Real of lived experience.  This can only be folded and seamed after the event, thus symbolising and historicising it.  This process only (as we’ve seen) creates further loops (unless, as I said earlier, one were to write in spaces that took as long – relatively – to navigate as lived time) and so it can never be grasped.  Yet it is always there, always in the same temporal place.  In grasping it you pass through it; it is like a ghost, a spectre.  In my transposition, the Symbolic – the order of language – is ‘history’, the incorporation of the past into a sort of semiotic order, and The Imaginary – the sphere of the ideal – is ‘Narrative’ or emplotment, especially personal narrative.  I’m not investing much in that transposition.  It might work or it might not; you can dismantle it at will.

But let’s shift our ground, our viewpoint, and move from the après coup historian’s construction of narrative to look at what happens in these loops.  This historical, ‘temporal’ Real is where things happen without us yet being able to understand or place them in any sort of symbolic order.  Encountering this Real can (as in Lacanian theory) be a terrible thing.  To take the usual limit case, who can have experienced the Shoah (in whatever role) without being aware of living through terrible history as it was being made? 

These spaces are zones of infinite possibility. Let’s assume we can somehow open up the tiny temporal space closed up by the ‘and’ of the sentence ‘Napoleon’s army met Wellington’s south of Brussels and was decisively defeated in the battle of Waterloo’.  (Forgive me for using a non-medieval example.)  This space – the morning of 18 June 1815 – is inhabited by about 150,000 men and women.  French and allied armies are deployed but not engaged.  Blue-clad troops swarming over the horizon to the east are Prussians.  At this point anything is possible.  Napoleon can disengage; he can fight and win (or lose).  He (and the other 149,999) can yet survive the day or be killed.  The day can turn out to be the allied victory of Waterloo, or the French victory of La Belle Alliance, or an insignificant encounter some days before the great Battle of Somewhere Else, that no one other than Napoleonic military history buffs have ever heard of.  It could be the day that Wellington died heroically, trying to stem the rout of his army, or the day of infamy when Gneisenau inexplicably halted the Prussian army, leaving Wellington to be defeated.  Or the day the Emperor’s head was knocked clean off by a Prussian canon-ball at the moment of his greatest triumph.  Or whatever.

Now, this does not simply mean that ‘what happened’ was different; the whole way in which we symbolise and understand it differs.  That symbolization is ever shifting as the narrative lengthens in time.  Thus the symbolization of an historical event is never fixed. 

Our temporal Real – lived time – is a true zone of Derridean ‘differance’.  That is to say that its meaning derives from difference from other signifiers and that any ‘true’ meaning is endlessly deferred.  For those unfamiliar with it, Derrida’s concept of differance (with an ‘a’) was – to put it very simply – formulated in the course of his argument against speech having primacy over writing, having a prior link to a metaphysical presence of meaning.  What Derrida argued was that spoken words operate in the conveyance of meaning in the same way as written ones.  This is why he coined the term ‘differance’ – pronounced exactly the same (in French) as difference (with an ‘e’) but meaning something, well, different.  That difference could only be established through a mental process of differentiating the two words or graphemes.  And you can still get the meaning wrong, or repeat it and convey a different meaning to someone else.  Differance with an ‘a’ merges the terms ‘differ’ and ‘defer’. 

As another modern example, take the history of Central and Eastern Europe after the Second World War.  If we were writing in 1946, say, we would doubtless see ourselves in a space of triumph after a terrible ordeal; although the future would seem very uncertain, there would be grounds for hope that a new and better world was coming into existence after the horrors of Nazism.  If we were writing in 1982, though, the picture of these events would look very different, a melancholy exchange of one tyranny for another with no sign of anything getting any better any time soon. Even respected professors of modern history could see no prospect of the Fall of the Wall – a good example of why you should never ask a historian to predict the future.  If we wrote that history now, the Soviet occupation would look like an interlude.  The description and analysis, not just the narrative, changes.  The future looks different from the way it looked in the ‘80s but it is no less unpredictable.  Donald Rumsfeld (of all people) once said that the future is no less predictable than the past; the past wasn’t predictable when it happened.

Moving back to our period, a history that stops around 500 finishes with the end of the Roman Empire (Good Thing/Bad Thing/Supreme Irony/whatever) but a cultural history of the period c.300-c.700 can pass through it as though, in most meaningful terms, the Empire didn’t end at all (as in some works within the Late Antique paradigm).  A political history that continued to 814 would end with the revival of the Western Empire under Charlemagne – so the Empire hadn’t really ended after all.  And what if, hypothetically, in our unpredictable post-banking-crisis future, something very odd happens, with the EU becoming a pan-European dictatorship renamed as a revival of the Roman Empire?  Do the 207 years since Francis I’s deposition as Holy Roman Empire become an interval or blip, like the 324 years between Romulus Augustulus and Charlemagne?  Even the history of the Roman Empire hasn’t necessarily ended yet…  What was the significance of 476?  It’s too soon to say. 

The Temporal Real is a zone of pure chance and encounter.  As in my Waterloo scenario, it’s not just the relative skill in generalship of Wellington and Napoleon (and Blücher/Gneisenau), nor the bravery and skill of their troops, nor any combination of those that determines the signification of the event.  All sorts of chance events could intervene.  Turned the other way round, and using a late antique example, no one could have expected, on the morning that the ambassadors of the Quadi came to visit Emperor Valentinian I on the Danube, that their statement – that they had a right to attack Roman troops building a fort in their territory becausethey had intruded into their territory – would anger the Emperor so much that he would drop dead of apoplexy.  That was a ‘response of the [temporal] Real’ if ever there was.  As I set out in Barbarian Migrations, at the start of 421 it looked as though the Roman Empire was going to weather the crisis of 395-413 and re-establish its borders, having gone from this state in 410 (above left) to this one in 421 (below, right).  Who knew that Constantius III was about to contract pleurisy and die, leaving the Empire to a four-year-old Valentinian III and his incompetent uncle Honorius?
This is by no means the ‘What If…’ history beloved of right-wing historians like Niall Ferguson and his ilk.  In this type of history, the premise is that if one thing happened differently, the whole of European or world history would unfold in a quite different way.  This is logical nonsense.  In the poem discussed earlier, Stéphane Mallarmé wrote that ‘a throw of the dice will never abolish chance’.  Quite so, but for Ferguson and co. a different throw does.  What if Napoleon won the Battle of Waterloo?  Well, what if he did?  What if he fell off his horse and broke his neck the next day?  Or, alternatively, what might have happened if Napoleon had lost the Battle of Waterloo?  By 1848 both branches of the Bourbons had been deposed anyway and by 1851 Napoleon’s nephew was ruling France.  Different outcomes are always possible – they’re still possible.  Vive l’Empereur!  Julius Caesar declared the die to have been cast when he crossed the Rubicon.  He must have thought he’d rolled high, too … until he got stabbed to death by Brutus and the rest, having ended up in the wrong place at the wrong time after all.  The throw of the dice did not abolish chance.  There are no endings in history. 

Quite apart from the competitive interplay of actors’ intentions (which side ‘wins’) or the intervention of chance, the outcome of actions can be quite unintended by anyone.  I’ve argued – I hope I’ve demonstrated – that the collapse of the Western Roman Empire in the fifth century came about in spite of the fact that in the hundred years prior to 476 we cannot find a single person who actively tried to bring the Empire down.  I described the end of the Western Roman Empire as an ‘accidental suicide’, the ironic result of actions aimed not at destroying the Empire at all, but at dominating it in the tradition of more traditional fourth-century politics.  Every crucial action contributing to the Empire’s political demise was brought about by people trying to preserve it.  The ‘Fall’ was an outcome that no one intended.  The intervention of chance and the fact that the outcomes of actions are not reducible (usually teleologically) to the achievement or frustration of particular actors’ aims is a major problem with many models of social interaction – even phenomenological.  My way of seeing might help us avoid the totalising tendencies of such approaches.

Implications: Deconstructing Historical Narrative; Deconstructing Transition

I would like to suggest that this way of seeing has some quite important implications for thinking about the concept of transition, which are somewhat different from the problems with the idea that I set out in 1995.  For one thing, even the teleology inherent in the definition of transition is further relativised by the approach to thinking about the symbolisation of time and narrative that I have set out in this paper.  In 1995 I argued that one had to separate early medieval data out by time and place.  In the neutral sense of comparing data from the same place and time, this is something that I’d still stand by.  What the approach I have been trying to set out makes problematic is the idea of ‘context’, that key premise of historicism.  Context is everything, we are told, and indeed it is – except, that is, when discussing the importance of context, which is supreme, regardless of context…  Obviously context is vitally important, but what exactly is context?  We can leave aside the fact that historians often treat context pretty loosely, so that putting – say – Gregory of Tours’ writings of the 570s in context means setting them alongside texts by Gregory the Great written ten or twenty years later, or those of Isidore of Seville from later still (this chronological woolliness is born of several different traditional approaches to the period, which we’ll leave aside for now).  A Derridean deconstructionist approach actually relies on a certain contextualism, not least to provide the other traces that go to make up the ‘texte’ – the network of traces – of which our written texts are part.  It also relies on a certain stability of text which is not often available in early medieval studies; these points are often forgotten. 

Nonetheless, these points being made, it must be said that many of the premises even of so-called New Historicism are questioned by the approach I’m exploring.  How, after all, do we define context?  Surely, as often as not, that is done after the event too, when we select those features which we think define the thought/society/politics of a particular period – when we do this we select and obscure just as much as when we select events – joining up features and leaving others out of the equation.  Indeed those two processes are often interlinked.  Context, in terms of politics, is often related to the selection of the events used to fold up our ‘ribbon of time’ – we saw already that this selection can differ from those used for, say, gender history.  The whole contextualist historicist approach is essentially circular: first one creates a context from the available evidence by selecting key points, features or areas of similarity from it; then you argue that the evidence is best analysed against the context you just created from it.  These are the people who like to mock Derrida for saying there was nothing outside text (something which, incidentally, he never actually did say)…

Leaving the absurd – or some of it – that to one side for a moment, another problem with the contextualist approach is the way it artificially closes down the range of possibilities.  Part of that closing down comes from the approach itself, as I just described.  As a historian I find the approach worrying in that it denies creativity, experimentation, invention, failure – the blind alleys that I have referred to before.  It denies the possibility of non-orthodox readings, subordinate readings, mis-readings.  It denies chance.  A throw of the dice never will abolish chance, said Mallarmé, and (in the last line of his poem) every thought is a throw of the dice.  Thinking about other disciplines than history, I find it bewildering that a source can only be read and analysed in the terms of its own period.  I wonder of historicist readers of literature think that medieval writers’ readings of the Classics or the Fathers are to be condemned for not reading them ‘in context’?  The more I think about historicism, the more utterly incoherent it all seems, heretical and subversive though such thinking is in [Poppleton].

So much for all that.  What I want to dwell upon is deconstructing historical narrative.  Deconstruction is a grossly misused (and abused) word.  People often describe simple close reading as deconstruction; alternatively, people who’ve never actually read Derrida (like, it has to be said, most of Derrida’s historian and analytic philosopher critics) have alleged that it opens the way to holocaust deniers, complete relativism and so on.  It isn’t; it doesn’t.  Deconstruction, said Derrida, is ‘what happens’ (‘ce qui arrive’”).  To be super-simplistic, when dealing with texts, what deconstruction (as I understand it at least) tends to involve is the identification of pairs of concepts, one being haunted (to use a term from later Derrida) by the other but sublimating it.  Then that sublimated term is brought to the fore.

If we take that as a means of reading narrative, then what it allows us to do is to look at historical moments (our loops in the ribbon), what happened and the terms we use to describe it.  All that is haunted by the spectres of their opposites, the reverse concepts (victory/defeat, for example), and the things, the outcomes that didn’t happen, the outcomes that perhaps people (even the people who seem to have got their way) were trying to bring about.  In a sense that allows us to deconstruct transition itself.

To return to the sorts of dynamics that I thought in the mid-1990s were implicit in social change – the interplay of identities – one has to look very closely into the loops in the ‘ribbon of time’, into context if you like.  Identities, by their nature, are about likenesses and a likeness can only imply looking backwards.  Ambitions, obviously, by contrast, can only imply looking forward.  In both cases what one has, in Lacanian terms, are elements of the imaginary; in later Derridean terms you have spectres: no one can quite imagine things as they aren’t.  Such ideals are like ghosts, spectres.  Actions are ‘haunted’ by these spectres.  In later writing Derrida coined the term ‘hantologie’ (hauntology), which in French sounds the same as ‘ontologie’ (ontology).  We’re back to differance.  Nonetheless, that gives us a way into the sorts of unintended outcomes that I’ve been interested in.

Lastly, though, this approach permits, as I see it, a more ethical reading of history.  At the heart of the whole historical enterprise, as I see it, lies an ethical demand to listen attentively to the voices of the past.  Attentive listening doesn’t imply acceptance of their point of view; it implies engagement.  Engagement is consistent with deconstruction.  Deconstruction was always concerned with politics and ethics, as Simon Critchley has argued and indeed as Derrida himself was at pains to make clear in the last decade of his life – it was just that the political element in his thought became more visible later on.  Deconstructing narrative (or transition) means listening for the ideas that didn’t come to fruition, for the ambitions that failed, for the outcomes that didn’t come out.  As I see it there’s nothing more ethical than that.

Ultimately, what an ethical, politically-committed approach to history is about is telling us that things don’t have to be this way.  It is about (to use a phrase of Frederic Jameson) keeping faith with the impossible, with the once possible impossibilities of history.  A throw of the dice, after all, will never abolish chance.  And each thought is a throw of the dice.

Wednesday, 30 May 2012

Gaps, Ghosts and Dice: More inchoate musings on the nature of history (in which Julius Caesar meets Stéphane Mallarmé): Part 1

[Brace yourself for more ill-informed, half-thought-through pseudo-philosophical waffling about what history really is.  Ill-informed, etc., yes - but serious and heart-felt, too.  

What I am going to explore here might possibly be considered under the general headings of change, narrative, causation.  Those of you who have read Barbarian Migrations will know from the middle section (theoretically and methodologically, the most important bit - although Stuart Airlie seems to be the only person to have spotted this) that I have been interested in the inescapably ironic nature of history.  That's to say that the outcomes of decisions are very often entirely unintended by historical actors.  I've been carting it about with me for days but I've still not read Benjamin on History, so I'm aware that I'm probably re-inventing a wheel he already invented.  This, incidentally, explains some of the thinking behind my miniature manifesto; for some of the rest, check out the posts with the tag 'The Unbearable Weight']

Here are a couple of minor issues: what is the past?  What is history?  Let’s be basic and uncontroversial.  The past, we can all agree, is simply enough all that ‘stuff’ that happened before now, whenever ‘now’ might happen to be – such as me writing the beginning of this sentence.  Or – now – writing the end of it.  But how do we make sense of that?  Surely by selecting particular elements from all those past events and placing them in a sequence, rightly or wrongly.  (I used to keep a diary and, although I have a pretty good memory, I confess that I often had difficulty remembering the exact order in which things had happened, even if they’d only happened the /previous day.)  That sequencing inevitably involves a process of winnowing; you can’t remember everything (unless you’re Funes the Memorious in Borges’ story).  And then we might process that information to involve an element of causation.  X happened – we think – because of Y and if only I/they hadn’t done A then (we like to think) B might not have happened; etc.  It’d be uncontroversial to say that we can’t even imagine the past in any meaningful way without this sort of process happening first.  We can imagine all that protean mass of ‘stuff what happened’ but we can’t access any of it without selecting from it, placing those selections in sequence, evaluating them and having some idea of their meaning; in other words without placing it within the symbolic order.  Only then can we really imagine the past.  Thus, ironically, it is true to say that memory happens before the past.  By the same token, then, we could also say that ‘History’ happens before ‘the past’.

       Digression

In the 1990s people started talking about history as memory.  Cultures in many ways create, deploy and access history in the same way as individuals create, deploy and access memory.  As a result, every bandwagon-chaser in the land began to write articles (sometimes spectacularly impenetrable and yet still somehow meaningless) about ‘cultural memory’.  Yet, I’ve never been very sure what this really added to our understanding of history, other than a new metaphor: memory.  I once quipped sarcastically that the only meaningful interaction between ‘memory, literacy and orality’ in the Carolingian world was when one monk told another monk that he had forgotten what he was going to write…  All this does not seem to me to have added any fundamentally new or different ways of understanding the way that history is used; it does, by contrast, seem unhelpfully to have blurred the useful distinction between how people make and access memories of the personal, lived past and how people and societies construct and access their collective past, especially before that experienced by those alive in the present.  It seemed to me that we already had perfectly good words for the latter, in ‘tradition’ and ‘history’.  But there we are; this is how disciplinary trends and paradigms work…
So, none of those opening comments are startling, new or profound.  At its most basic, essential but initial level, history is the process of symbolising the past.  Only then can we begin to imagine it.  It is here, I think, that things (possibly) get interesting.  Someone said that history was a seamless web; what they meant was that time as it is lived and experienced is a seamless web.  Historyis surely the inescapable and absolutely essential process of making seams in that web; folding it up into the manageable sections that we call periodization.  Everyone who has ever lectured to first-year history students about the perils of periodization knows that historical periods are, fundamentally, simply units of convenience that mask certain continuities by fastening upon other pre-determined aspects of change.  But the problem reaches down much further than that into the very way in which we write the narratives (I like to call this stage ‘chronicling’ rather than ‘history’) that we then analyse and explain (this, in my view, is ‘history’ properly defined).

Historical narrative is structured like a language.  Events gain their meaning within sequences from their juxtaposition with other events, before and after.  Like words.   These juxtapositions allow us to write history as tragedy or as heroic epic, or in an ironic mode, or however.  Events – types of events or specific events – have different meanings according to the way they are emplotted within a narrative.  OK: this is old news.  What I want to explore is what is implicit in that potential difference.  History does not simply put seams in the seamless cloth of time.  What it does is to fold that cloth and stitch it tightly together – over and over again.  To pursue that metaphor, what the temporal cloth looks like after the process of historical narrative is, from the front, a narrow, densely stitched-together mass of neatly creased folds.  Out behind that, invisible from our perspective, are acres of billowing cloth: time that has escaped symbolisation.  Now, you can unpick a seam and look at the cloth opened up, but to understand it you still need to make it into a sequence of smaller folds; open up one of them and look at a smaller piece of time but have to stitch that into smaller folds still, and so on.  Or you can unpick all of the seams and behold the whole cloth opened up but, equally inevitably, you will only be able to make sense of it by stitching it together again, even if in a new way, with different bits of cloth (time) concealed in the folds.  You can argue that the latter is what happened when historians stopped thinking that their subject was simply the chronicling of high politics, kings and wars, and started thinking about social history, or women’s history, or when historians unpicked the great seam that lay at 476 and the End of the Roman Empire and made a new fold, called Late Antiquity. 

All that folding and stitching, though happens after the event.  The decision of what constitutes an event that marks the edges of a fold, how we write about them in purely descriptive terms, and so on.  It’s a truism that very rarely (outside the obvious limit cases) do people see the events through which they’re living in the same way as later historians will.  Between 1914 and 1918, for example, we could say that people were experiencing the horrors not of a ‘war to end wars’, as they (or some of them) thought, but of a curtain raiser for an even more horrible war.

It’s these folds, these billows of cloth behind the stitches, which I want to think about.  These spaces or gaps are where history happens.  They are the spaces – as I will return to discuss – where nothing is decided and where history has not yet been symbolised in any way.  In that sense I like to think of them as the spaces of The Real in a way that is influenced by Lacanian psychoanalysis.  The historical ‘temporal’ Real, here, is that space where things happen without us yet being able to understand or place them in any sort of symbolic order.  Encountering this Real can (as in Lacanian theory) be a terrible thing.  To take the usual limit case, the Shoah, who can have taken part in that (whether as victim or camp guard or executioner) without being aware of experiencing terrible history as it was being made? 

      Clarification

I’m not – let me make crystal clear – making any sort of equation between the perpetrators and the victims of this crime in terms of the trauma of this experience; just that neither can have occupied this temporal space without knowing that something of immense, unprecedented historical importance was happening – whether you were seeing thousands of your fellows butchered and thinking that your race was going to be wiped from the face of the earth, or whether you were a Nazi thinking you were carrying out some terrible, avenging, messianic task.
So, the spaces closed up, represented metaphorically by my ‘billows’ represent the temporal Real of lived experience.  This can only be folded and seamed after the event, thus symbolising and historicising it.  This process only (as we’ve seen) creates further billows (unless one were to write in spaces that took as long – relatively – to navigate as lived time) and so it can never be grasped.  Yet it is always there, always in the same temporal place.  In grasping it you pass through it; it is like a ghost (though this isn’t the ghost of my title), a spectre.

        Digression

 In his most famous poem, 'Un Coup de dés', Stéphane Mallarmé set out his poem with long spaces and different strands within the work indicated by font-size and their place within the two page spread - a type-setter's nightmare!  I often wonder about writing history like this, with long spaces indicating the time past, and different fonts and font-sizes representing the different threads within the story.  It'd be a huge task and a real work of art, and would sell about 3 copies even if someone took it on.  But it'd be interesting.

If we were to think some more about these spaces we’d see that they are zones of infinite possibility. Let us assume we can somehow open up the temporal space closed up by the ‘and’ of the sentence ‘Napoleon’s army met Wellington’s south of Brussels and was decisively defeated in the battle of Waterloo’.  This space – the morning of 18 June 1815 – is inhabited by about 150,000 men and women.  French and allied armies are deployed but not engaged.  Blue-clad troops swarming over the horizon to the east are Prussians.  At this point anything is possible.  Napoleon can disengage; he can fight and win (or lose).  He (and the other 149,999) can yet survive the day or be killed.  The day can turn out to be the battle (allied victory) of Waterloo, or the battle (French victory) of La Belle Alliance, or an insignificant encounter some days before the great Battle of Somewhere Else, that no one other than Napoleonic military history buffs have ever heard of.  It could be the day that Wellington died heroically, trying to stem the rout of his army, or the day of infamy when Gneisenau inexplicably stopped the march of the Prussian army, leaving Wellington to be defeated.  Or the day the Emperor’s head was knocked clean off by a Prussian canon-ball at the moment of his greatest triumph.  Or whatever.

This does not simply mean that ‘what happened’ was different, but also that the whole way in which we symbolise and understand it differs – and that symbolization is ever shifting as the narrative lengthens in time.  It means, then, that the symbolization of an historical event is never fixed.  What it also means is that our temporal Real – lived time – is a true zone of Derridean ‘differance’.  That is to say that its meaning derives from difference from other signifiers and that any ‘true’ meaning is endlessly deferred.  ‘Differance’, says Leslie Hill in the Cambridge Companion to Derrida, ‘is the beginning space of time and the beginning time of space.’  No, I have no idea what that means either, but it sounds good (and the ‘beginning space of time’ fits what I’m talking about anyway).

Let’s have an example.  Let’s consider the history of Central and Eastern Europe after the Second World War.  If we were writing in 1946, say, we would doubtless see ourselves in a space of triumph after a terrible ordeal; although the future would seem very uncertain, there would be grounds for hope that a new and better world was coming into existence after the horrors of Nazism.  If we were writing in 1982, though, the picture of these events would look very different, a melancholy exchange of one tyranny for another with no sign of anything getting any better any time soon. Even respected professors of modern history could see no prospect of the Fall of the Wall; one predicted confidently over his beer that the Iron Curtain would not be lifted in his lifetime (to much later ribbing from his colleagues) – a good example of why you should never ask a historian to predict the future.  If we wrote that history now, the Soviet occupation would look like an interlude, and the analysis, not just the narrative, changes.  The future looks different from the way it looked in the ‘80s but it is no less unpredictable.  I don’t like to quote Donald Rumsfeld but the old b*st*rd did come out with some memorable sayings, one of which is that the future is no less predictable than the past; the past wasn’t predictable when it happened.

       Digression

There’s nostalgia here and in the link between time and place.  For example, I recently went for a new job – a job I really wanted and I could have done well – but I didn’t pull it off.  I’m quite depressed and angry about it, but let’s not go into that.  So I just went through Sheffield station and I remembered changing trains there on my way to the job presentation.  It was a lovely morning, I felt confident that I’d written a good talk, the sun was shining and I still had everything to play for – it was still a zone of pure possibility.  Isn’t that what nostalgia is about?
There’s no statute of limitations here.  The holocaust is cast as the terrible tragedy that it was, but one that passed, produced the Israeli state (whatever one might think of that) and an awareness of the horrors of genocide, of where antisemitism could lead, and widespread feeling that both were things to be fought against.  But what if…?  What if ultra-right-wingers sweep to power in a post-banking-crisis melt-down across Europe and pogroms begin again?  Would our own time be closed up as a simple interlude between the First and Second Holocausts (or between the Jewish and Muslim Holocausts)?

A history that stops in c.500 finishes with the end of the Roman Empire (Good Thing/Bad Thing/Supreme Irony/whatever) but a cultural history of the period c.300-c.700 can pass through the period as though, in most meaningful terms, the Empire didn’t end at all (as in some works within the Late Antique paradigm).  And a political history that continued to 814 would end with the revivalof the Western Empire under Charlemagne – so it hadn’t really ended after all.  And what if, in our unpredictable future in post-banking-crisis Europe, something very odd happens to the EU, with it becoming a pan-European dictatorship renamed as a revival of the Roman Empire?  Do the 207 years since Francis I’s deposition as Holy Roman Empire become an interval or blip, like the 324 years between Romulus Augustulus and Charlemagne?  You see, even the history of the Roman Empire hasn’t necessarily ended yet…  What was the significance of 476?  It’s too soon to say. 

The Temporal Real is also the zone of pure chance and encounter.  As in my Waterloo scenario, it’s not just the relative skill in generalship of Wellington and Napoleon (and Blücher/Gneisenau), nor the bravery and skill of their troops, nor any combination of those that determines the signification of the event. As I mooted earlier, it is just as possible that Napoleon could have his head knocked off at the moment of victory or that Wellington stop one of the canon-balls, bullets or canister fragments that killed or wounded almost every member of his staff (while leaving him unscathed) that day.

I am by no means interested in this as the ‘What If…’ history beloved of right-wing historians like Niall Ferguson (Virtual History) and his ilk.  Or Cowley's What If? Military Historians Ponder What Might Have Been. In this type of history, the absurd premise is that if one thing happened differently, the whole of European or world history would unfold in a quite different way.  This is logical nonsense.  In the poem, referred to earlier, Stéphane Mallarmé wrote ‘a throw of the dice does not abolish chance’.  Quite so, but for Ferguson and co. a different throw does.  What if Napoleon won the Battle of Waterloo?  Well, what if he did?  What if he fell off his horse and broke his neck the next day – with his son and heir still in Austrian captivity?  Or, alternatively, what might have happened if Napoleon had lostthe Battle of Waterloo?  What if the allies fell out and took to fighting each other at the Congress of Vienna, in the course of which one party backed a Napoleonic restoration against Louis XVIII (Louis ‘the Inevitable’: perhaps my favourite royal epithet in French history)?  Not very likely, you might say, but – hey – by 1848 both branches of the Bourbons had been deposed anyway and by 1851 Napoleon’s nephew was ruling France.  Different outcomes are always possible – they’re still possible.  Vive l’Empereur!  There are no endings in history, but many fictional explorations of the possibilities I am discussing in the oeuvre of Jorge Luis Borges.  Take Julius Caesar, declaring the die to have been cast when he crossed the Rubicon.  He must have thought he’d rolled high, too.  Until he got stabbed to death by Brutus and the rest, having ended up in the wrong place at the wrong time after all.  The throw of the dice did not abolish chance, Julius.  Watch out for my forthcoming Airport history paperback blockbuster, So What? Historians Ponder How Things Could Have Worked Out Exactly the Same

Political Implications

Now, since my theme in this Blog is very often the relationship between the study of the past and political engagement in the present, you won’t be surprised to learn that I think that there are some political implications in all this.  On the one hand, there is always hope, because the narrative is never closed – maybe it’ll take time, maybe beyond our lifetimes, but if we don’t lose hope and stop fighting, maybe things will change for the better.  After all, only we can do that.  The equal implication, though, implicit in my discussion of The Shoah, is vigilance – because the narrative is never closed.  New Labour was not vigilant.  It assumed that the battle had been won, and it stopped fighting – and look what happened: the battle had not been won at all.  Even the narratives that seem to have come to a happy conclusion require us to keep fighting.  Hope and Vigilance: a committed historian’s watchwords.
Quite apart from the competitive interplay of actors’ intentions (which side ‘wins’) or the intervention of chance, the outcome of actions can be quite unintended by anyone.  I’ve written about the end of the Roman Empire as an ‘accidental suicide’, the ironic result of actions aimed not at destroying the Empire at all, but at dominating it in the tradition of more traditional fourth-century politics.  The intervention of chance and the fact that the outcomes of actions are not (usually teleologically, as in the oeuvre of Gussie Finknottle) reducible to the achievement or frustration of particular actors’ aims is a major problem with many models of social interaction (in my understanding of it, it’s a big problem with Heidegger’s, for example).  My way of seeing might be a good way of avoiding the totalising tendencies of such approaches.

In the next part of these musings, I’ll return to the folds of the cloth, and more on social interaction.  This is where we'll meet the ghosts.


Wednesday, 22 February 2012

Changing Minds around 600

[I was very kindly invited to give one of the once-a-term York Medieval Lectures yesterday (in-house speakers are not often invited), which was an honour of course.  I reprint the text as given, minus introductory burble.  It is all very provisional and doubtless all much more complex.  Indeed maybe just plain wrong, but at the moment these seem to me to be interesting lines of enquiry.

The argument goes like this.  Many things were changing around 600, of which I give a sample.  The problem is how to explain this wide range of changes across many geographical areas, social, political, military and cultural aspects, etc.  Pirenne blamed the Arabs of course, but that obviously won't work.  In the past I looked at short-term, important political events, then moved on to see things more in terms of a conflict for resources between kings and aristocrats.  Now I am exploring the idea that a combination of features, contingent political historical events, the knowledge of living 'after Rome', an ideological crisis as a result of the latter, inside and outside the old Empire, and theological worries about the end of the world (dependent upon the long-standing belief that the Roman Empire and the Sixth Age were commensurate) came together to produce a very distinctive world view, one that soon passed but left far-reaching changes in its wake.  Well, see what you think.
]

For the last two and a half years, I’ve been working on a project entitled ‘The Transformations of the Year 600’, funded by the Leverhulme Trust. 
I’ve been exploring the notion of the ‘end of the late antique state’ around 600.   This may or may not be descriptively adequate but it involves discussing the end of a Roman world view, and the need to create new ways of thinking about power, gender-relations and so on and so forth after the end of the Roman Empire.  That was what the ‘changing minds’ element of the title referred to.  But it’s that area – that mental shift – which, over the last two or three months, has really taken over my thinking about the period. It also relates to a lot of other reading I’ve been doing over the past two years about the meaning and importance of history itself.  So, what I present tonight is a long way from being a coherent, fully-worked-out thesis; it is a snapshot, as of February 2012, of where my own mind is at, in thinking about the period between roughly the last third of the sixth century and the first half of the seventh.  In descriptive terms – and in many explanatory ideas too – I have little new to say.  What I have to offer is rather an attempt to bring together various disparate elements – written and excavated data, social and political history, both of those and religious and intellectual history – and to try to confront some important issues, such as how change happens, especially what, with Foucault, we might call epistemic change.

Now, there are four caveats that I need you to bear in mind throughout what I am about to say, as I don’t have the time to reiterate them with every point I make. 
1: The first concerns the diversity of experiences and strands of the story.  If you are trying to give a whistle-stop overview of a period of between, say, eighty and 100 years in less than an hour, you have to generalise.  The period I discuss saw many different histories, whether looking at geographical regions, social groups or historical themes.  They don’t all run at the same speed and with the same chronological shifts.  Some may indeed run counter to what one might see as a main trend.  Classical and medieval thinkers liked to use music as a metaphor for unity in diversity. If you like, this paper represents me whistling something which might be recognisable, overall, as the melody of a particular piece of music but which corresponds in detail to none of the parts played by individual instruments or voices.
2: The second, related, caveat is that I am not discussing a dramatic, revolutionary change, a seismic shift from one thing to another.  I’m not suggesting that on 1 January 601 a bell tolled and everyone changed their ways of doing everything.  There were of course continuities for the ‘old’ ways and precursors, models and forerunners of the new.  What I am taking about is a change of emphasis or of pace.  It’s significant – indeed vitally important – but we need to be clear about how I understand such a change.
3: I don’t for example (and this is my third, again related, caveat), see it all as all happening suddenly, at once or all at the same time.  I might argue that the decades either side of 600 were a ‘Schwerpunkt’ but the period of change spans two or three generations. 
4: Finally, and perhaps most importantly, this is not the period of change.  I stole my project’s title, shamelessly, from that of my namesake, Guy Bois’ controversial book The Transformations of the Year 1000.  Unlike Bois, however, I am not postulating that this X marked the spot where the ancient world became the medieval world.  The period c.600 is often described as the start of the medieval world.  Indeed one short-lived journal of the 1990s, Medieval History, set its opening date, very precisely, as 594.  What happened in 594?  As I’m sure you know, Gregory of Tours died.  He bore a huge weight on his shoulders; he took to his bed, breathed his last, and the classical world ended.   But, the start of the medieval world?  What does that mean?  I don’t know; it’s one reason I don’t think of myself as a medievalist.  If it means that the world c.650 is more recognisable to people who study the twelfth or thirteenth centuries than the world c.550 then I’d have to agree, but then the world c.750 would be even more recognisable and the world c.450 even less so.  It might well be that many of what one might, were one so inclined, think of as defining features of the medieval world were significantly shifted around 600 but the danger with that sort of thinking is that, like Bois’, it assumes two periods of greater or lesser structural stability on either side of a point of transformation or transition.  The world as it was in western Europe in c.550 was a pretty recent creation and the world that emerged after my period of change did not remain unaltered for long.  A lot happened around 700. 
You must bear all four of these general points in mind, throughout what I am going to say, as qualifying an oversimplifying overview.

2: Description of Period

The Column of Phocas, Rome
Nothing says 'the end of the classical world'
like the Column of Phocas
So, you might be asking yourself, what is so interesting about the period around 600?  Well, I’ll tell you…  This will of necessity be a rather breathless and selective round-up.  I will return to the elements that concern me; others can perhaps be dealt with in discussion.  One topic that most interests me is time and how people thought about it, so this listing has something of a focus on that area.  As ever Gaul/Francia is the area about which I know most and it will retain its centrality within my discussion.  I’m not assuming that what happens in Francia must necessarily happen everywhere else; in some cases clearly it doesn’t; in others there are distinct variations on the theme.  It nevertheless gives a reasonable approximation of the general directions in which things were moving across the West.  One thing that has long been said, and it still seems to be true, is that it was this period that saw a decisive shift of focus towards the north of France and the North Sea cultural zone province from the Mediterranean.  This might be of more general cultural significance than I hitherto supposed.
The material that first drew me to the importance of the changes around 600 was the funerary archaeology of north-eastern Gaul.  I have talked about this JustSo – Very often, not least here, that I will – you’ll be pleased to hear, be very brief but it is important and must be mentioned.   The principal issues are these.  First of all, one of the major shifts in the form and design of artefacts took place sometime between c.575 and c.600.  This involved, not least, a radical shift in the balance of investment in material and decoration from feminine to masculine artefacts.  At the same time, the focus of funerary ritual moved from the comparatively transient (if quite multi-dimensional) display of the grave-goods ritual, to a greater degree of investment in more permanent – if more one-dimensional – commemoration in above ground monuments, and perhaps in other, written or liturgical  forms of memoria.  Monuments include the construction of barrows on the fringes of the Frankish realms, churches (in northern Gaul moving gradually out from the cities, via the smaller administrative nodes, to the countryside), grave-stones, sarcophagus-lids visible at surface level, walls around burials, and so on.  Commensurate with this is a significant growth in the number of cemeteries, usually smaller than their sixth-century precursors. 
Now, it is possible to see similar shifts in other regions of the West, both inside and outside the former frontiers of the Roman Empire.  The rash of lavish barrow burials in Anglo-Saxon England, most famously Sutton Hoo, of course, most recently Prittlewell, is well-known.  Not just the investment in the display is noteworthy, but also the process of separation – both of which find their parallels in Francia, particularly on its fringes.  Many of the changes involved in the move towards what used to be called ‘Final Phase Cemeteries’ – or ‘Conversion Period’ cemeteries (I don’t think the description is very much more helpful) – are recognisably similar, though rather different in detail.  The increased concern with above-ground commemoration extends to the reuse of prehistoric barrows and other monuments – something which has some parallels in Francia, especially in the east, though elsewhere it might be that the standing remains of Roman villae were more important.  North of the old Roman frontier in parts of the Pictish kingdom it is the case that above-ground monuments were becoming more popular at this time, too, with the use of symbol stones, cairns and various types of barrow. 
The usual political interpretation of the Anglo-Saxon burials is as a sign of the emergence of kingship.  The Pictish developments are usually placed in a sequence allegedly charting the growth of the Pictish ‘state’.  I will present some reasons to rethink this interpretation later on.  The standard interpretation of the Anglo-Saxon trend towards the reuse of barrows and other ‘ancient monuments’ is that seventh-century people were attempting to associate themselves with the ancestors, in other words with the past.  I find this reading entirely unconvincing, for reasons I have set out at length, especially with regard to John Moreland’s reading of the Wigber Low barrow in Derbyshire.  There seems to me to be no evidence to support it and, in broader context, especially looked at across Europe, it is far more likely that this represents an over-writing of the past and a concern with the future.
Whilst were on the subject of the future, here are two clauses of Frankish law concerning what you have to do if you can’t pay a legal fine.  The first is clause 57, De Chrenecruda, of the early sixth-century Pactus Legis Salicae – a favourite of any student who has to read the text.  The guilty man goes before the mallus – the court – and declares publicly, with twelve oath-helpers, that he has no property left, above or below the ground.  Whereupon he must take handfuls of earth from the four corners of his house and throw them over his shoulder onto those of his closest relatives, on his father’s and mother’s sides, who must help him pay.  He does this to all those who are related to him within three generations.  Something over a hundred years later, the equivalent clause, 12.2, of Lex Ribvaria, probably issued in the 620s or 630s, though this is uncertain, simply reads that if a man cannot pay the fine, his sons can pay over three generations.  What we have here, whilst the concern with three generations remains constant, is a shift from a public, ritual display bringing in living relatives, towards a spreading of the responsibility into the future.
This is not the only concern with the future in Ripuarian Law, which contains, to my knowledge, the first reference to the procedure whereby, if a written document is not drawn up, young boys are brought to a legal transaction and boxed around the ears to make them remember it.  The reference to documents is important.  Ripuarian Law, and in this it is entirely different from Salic Law, repeatedly says that customary law, partible inheritance and similar matters can be modified if a document exists.  And indeed it is from around 600 that documents start to survive in Francia.  Various chance explanations for this have been proposed but none is very satisfactory.  In the tenth century, the oldest charters Flodoard of Rheims could find in the cathedral archive were from the period between 580 and 600, apart from a couple of bishops’ wills, notably that of Saint Remigius, presumably kept as a relic.  The oldest original charters belong to Chlothar II’s reign (584-629), there’s a possible interpolated charter from the reign of Chlothar’s cousin Theudebert II (596-612) and the oldest genuine copies come from the earlier seventh century.  The numbers of authentic charters really take off from about the 640s and into the second half of the century, though.  The most forged Merovingian king is not, as you might expect, Clovis, founder of the dynasty; Theo Kölzer could only find six forged charters of Clovis.  It is Dagobert I (621-639), for whom Kölzer tracked down no fewer than forty.  Forgers, it seems, picked a reign from which it was plausible that a charter might have survived.  Clearly, no one had ever seen a charter of Clovis, evidently making attempts to claim him as a donor almost as suspect to early medieval readers as they are to modern ones. 
Forged Merovingian Charters, by Reign, Childeric I
to Dagobert I

It is interesting too that for the century or more between Childeric I and Childebert II’s accession in 575 Kölzer found seventy-four deperdita – charters referred to by, or inferred from, other sources but now lost.  He catalogued no fewer than 133 for the sixty-four years between 575 and 639; mostly from Dagobert’s reign.  Now, that evident three- or fourfold increase in the relative frequency of documents must be relativized by the growing survival of written evidence from around 600: a vitally important change in itself.  Doing so reminds us that the sixth-century Merovingian kingdom was highly literate, generating all sorts of documents – almost none of which survives.  Indeed, there are almost as few surviving documents from Gaul north of the Loire before 600 as there are for the British Isles.  Apart from warning us against assuming that a documentary blank indicates illiteracy or illiterate government, this shows that the increased document survival after 600 is not an issue of the introduction of writing as much as the decision to retain documents (an issue not even addressed in John Moreland’s book).  Why that might be the case is an issue to which I will return.  It sheds a different light on the production of northern formularies from the seventh century, for one thing.
Associated with the survival of these documents is the development of aristocratic estates.  Northern Gallic Merovingian aristocrats might have had more secure control, more eminent ownership of, lands and a greater ability to dispose of them as they pleased – far more wills survive from the seventh century than the sixth; Salic Law did not even recognise the possibility of testamentary disposition and a story in Gregory of Tours suggests that some kings did what they could to back this up.  This might also have been because sixth-century royal grants were grants of government and of revenue, rather than of ownership of the land.  Higher-status settlement sites become archaeologically visible in the seventh century.  Associated with this is the growth of immunities, preventing royal officers from entering specified estates.  That itself suggests two crucial developments.  It illuminates the well-known decline of taxation around 600 but the prohibition on royal officers entering estates to collect fines for non-performance of military service suggests, with other evidence, an important change in the raising of armies.  In my book on the subject, I argued that sixth-century armies still functioned effectively as royal coercive forces, raised from administrative units, commanded by royally-appointed officers.  Seventh-century forces appear to be ever more focused upon aristocratic retinues.  There are other military changes at this time that I don’t have time to discuss.  The rites to extract local surplus and military service seem by the middle of the seventh century to have devolved to local aristocrats.  This may have been the case in Spain as well as in Francia, although the Spanish case seems to me to be more complex and to require more thought. 
The key shift that unifies most of the preceding points is a growth in aristocratic power.  Thus one can detect changes in the description of aristocrats.  Magnate dynasties begin to be securely traceable in northern Gaul.  One reason for this is their promotion of rural monasticism, in Gaul often associated with the Irish monk Columbanus but which, as Ian Wood has shown, rapidly became Frankish to all intents and purposes.  The foundation of these monasteries was a focus for the donation of lands, a means of securing aristocratic control over lands and so on. 
The growth in aristocratic power is certainly to be associated with the economic revival of the North Sea zone from around 600.  The trading sites or emporia become more visible than hitherto, and northern Gallic towns experience an upturn after two centuries of stagnation.  An increase in craft-specialisation is detectable in the metalwork and ceramic evidence, and smaller-denomination coinage reappears.  This is doubtless related, too, to the well-known shift in trading patterns at about this time, from the so-called Mediterranean system that predominated in the fifth and sixth centuries to the ‘Continental System’ of the seventh.
Finally, there are major cultural shifts too.  The use of the Bible, and especially of the Old Testament, in political writings increases at about this time.  About twenty years ago William Daly wrote an important piece about the difference between Gregory of Tours’ Clovis and the Clovis who appears in contemporary sources, showing that the Clovis of his own day was a much more Roman and Christian figure than Gregory’s.  Daly didn’t make the point, though, that Gregory’s Clovis is very much a Clovis for the late sixth century: an Old Testament king who walks righteously in the sight of the Lord and smites His enemies.  Robert Markus brilliantly discussed the importance of typological thinking to Gregory the Great, and how, when compared with earlier thinkers (most notably Augustine) Gregory is able much more easily to pass through the sign – the word – to the signified beyond.  This sort of development, I think, is more widespread than perhaps Markus thought. 
Jacques Fontaine argued that the seventh century saw an acceleration in the importance of rhythmic verse but especially of a type of poetry that was composed in autonomous strophes making more use of parallel phrasing and synonyms.  This can be set alongside Gregory the Great’s thought and Gregory of Tours’ historical writing.  Another shift that has been remarked upon is in the greater use of miracles in religious writing.  It has been argued that Caesarius of Arles makes almost no use of the miraculous in his Sermons, but that his vita, composed in the 540s contains many miracles and by the time one arrives at the Gregories, especially the Bishop of Tours, the miraculous can be argued, as by Ray Van Dam, to dominate explanation, to the exclusion of theological debate.  Finally the period I am concerned with is, more or less, that of the floruit of Salin’s Style II, which shows a number of key differences from its late fifth- and early sixth-century predecessor, funnily enough known as Style I.
The world's most famous Style II Object
It’s possible to sketch all of these developments too starkly, as I have doubtless done, and there are, as stated, many regional variations, but the selection given at least sets out the background to what I want to talk about in the main section of the lecture.  One thing I would like to stress, to any Anglo-Saxonists in the audience, is just how well the Anglo-Saxon picture fits alongside that which I have just sketched, which I hope will make you reconsider the way in which explanation is still widely hung upon conversion to Christianity – at least ponder whether conversion was a cause or a symptom of change.

3: Explanations

All of which brings us neatly to the issue of explanation.  The most famous explanation is, I suppose, Henri Pirenne’s from the early twentieth century, blaming seventh-century changes on the Arab conquests.  This might still be popular as an explanation in some quarters, for obvious reasons.  But the Arab conquests come too late to explain the western Mediterranean changes and again you have to ponder the extent to which they were themselves cause or symptom of the changes taking place at this time.  Pirenne, famously, thought that the rupture of the Mediterranean from the north-west caused Europe’s centre of gravity to shift towards, well, his native Belgium, really.  That economic dislocation, though, can be traced as early as the fourth century and the Mediterranean economic crisis comes too early to have had much to do with the Arabs – although it might have had crucial knock-on effects in the British Isles and it does have a role in explaining some of the variations in trajectory between northern and southern Europe.
Twenty years ago, I pinned the Gallic changes on the royal minorities that occurred between 575 and 613, decisively altering the balance of power between the royal court and the aristocracy, towards the latter.  I still think that that’s very important in explaining the end of the Late Antique state in Gaul.  But to what extent does, or can, it explain developments elsewhere?  It probably did have effects in southern England but there’s only so far that one can push such an explanation.  It’s true that there were political upheavals in Spain around 600, too, that could have had similar effects, but one must also note that (according to Shetelig in the 1930s!) there were changes at about this time on Norwegian cemeteries that look very like those that took place in Gaul.  Frankish and Gothic political instability surely didn’t have effects that rippled out that far!
One also has to ask why dynastic crises in Spain and Gaul should have had the same sorts of effects (if they did!).  So I moved on to consider the end of the late antique state.  Many western European polities in the sixth century fit a reasonable, uncontroversial definition of a state, whereas they don’t (as I see it) in the seventh.  My explanations for that focussed on a rivalry for control of comparatively finite material resources, both at a local community-level and at a higher political level, between kings and aristocrats.  That nevertheless questions why crisis should automatically lead to a hoarding of power by the aristocrats.  It raises the problem, as Chris Wickham put it in 1984, using evidently Gramscian terminology, of ‘how the state lost consent’.  The materialist explanation only goes so far here.
So we need to enter the world of ideas.  Markus discussed the period 400-600 as one of ‘desecularisation’.  There was an ‘ascetic invasion’, a shift towards more monastic ways of thinking about the world, which left little room for the secular.  Markus was a very fine historian and obviously there is a great deal in his argument.  Yet, it too falls short.  Like all of us, Markus had his blind spots.  One was a curious lack of interest in the contemporaries of Gregory the Great, who, for Markus, simply stands at the end of a line that starts with Augustine and passes through Cassian and Cassiodorus.  Markus says little about the other Gregory – of Tours – or Isidore of Seville, let alone other types of text.  It’s difficult, moreover, to avoid the impression that Markus saw Gregory as illustrative of a something of a sorry decline when held up to Augustine.  Again, as far as I can judge, there’s something in that but I think that we need to interrogate this more clearly.  Markus saw the epistemological shift around 600 in terms of decline.  His reading is rationalist, as from a sort of analytical philosophical viewpoint but while instinctively I agree with his judgement I think there must be a more positive or creative way of reading the shift.
Markus’ idea of an epistemological crisis is one in which the old ideas cannot provide answers to new questions, forcing a radical shift in ways of thought.  But, says Markus, like a true classicist, the old ways could solve all of these problems.  How could classical civilisation not?  The idea that that sort of thinking might be found wanting is clearly unimaginable!  This is what I want to explore in what remains of this paper.
In 1988, after a paper by Jocelyn Hillgarth about eschatology and political thinking around 600, Karl Ferdinand Werner said (in my translation),
“I just want to say that I am wary of whether an ‘atmosphere’, or certain intellectual ideas can be a driving force.  Does a particular thought dominate men and their behaviour?  I’d like to express some scepticism about taking that too far.” 
It is a fair question.  How far was the rarefied air of a Pope Gregory breathed by kings, or the men hauling Sutton Hoo Man’s ship up a hill in Suffolk, let along those carving Pictish symbols in areas that the Roman Empire had never governed?  This is what I want to explore, using a potpourri of ideas from a range of thinkers, used in my own Humpty-Dumpty-ish sort of way.  They will cluster around the reciprocal relationship between the subject – the social or historical actor – and the symbolic order.

4: Attempt to try and bring all this together

The Immediately Post-Justinianic West

In Barbarian Migrations I dealt with the issue of narrative and the tyranny of a particular narrative of fifth century history – a theme I develop in my new book, Worlds of Arthur.  I tried to write a history in the ironic mode, a history, in other words, determined by unintended consequences of actions aimed at doing something else entirely.  My view of history is as something entirely chaotic.  The period from 550 to 650 presents a very different, if related, set of issues.  For one thing there is no overarching narrative of any sort, once the Roman Empire dissolves.  That is one reason why the importance of the decades around 600 has not really been realised, unlike in the East, where an imperial master-narrative still pertains. 

The Point de Capiton

It seems to me to be crucial to understanding this period to acknowledge that, after Justinian, his ideological output and especially after his wars and their failure to reconquer territories that he now proclaimed had been lost to barbarians, it was impossible to go on believing that Roman Empire still existed in the West, just as before.  By the end of the period that concerns me it was impossible to believe that in the East either, and many of the responses were analogous.  This has important implications.  For one thing and this is a weakness in Markus’ thinking, it cut away the key anchors of the old signifying system.  One is born into a world of language, of signification, which is why Lacan and Derrida were correct to reverse Saussure’s formula and insist on the priority of the signifier over the signified.  But the removal of, in Lacanian terms, the points de capiton of the classical signifying chain meant a fluidity of meanings.  If one were to combine that with Derrida’s not dissimilar view of language, then it seems to me that this would precisely render the old ways of thinking unsatisfactory in a new context, in the way that Markus failed to acknowledge. 
Help, however, was at hand.  One of the crucial changes of the fifth century – perhaps the crucial change of that century, more so than the old narrative of barbarian invasion, which makes it ironic that I didn’t really spot it in my book – is a shift in the way of seeing the world.  In the classical Roman vision, the centre, the core, of political legitimacy was defined by the ideals of the civic Roman male.  Closeness to that core, or distance from it – along analogous axes of barbarism, femininity or animalism – defined relative political legitimacy.  That nearness or distance was of course ultimately determined by those who controlled the imperial court.  For various reasons, that centre fractured in the fifth century and the world came to be structured in terms of religious orthodoxy, and distance from that, towards various heresies for example, was what defined illegitimacy.  You can track that shift at all sorts of levels of fifth-century politics and across a wide spectrum of cultural forms.  One advantage was that the centre, here, was less fixed but it is clear that this was still played out within an essentially Roman framework.  Many Christian values at this time mapped directly onto those of the civic Roman.  Compare the preambles of Valentinian III’s Novels with the laws of his great-grandfather and namesake Valentinian I and see how things have changed.  Even into the sixth century in the West, religious orthodoxy was still a matter linked with the Emperor.  In the East of course it continued to be but in the West what the Emperor thought largely became a matter of indifference after the Three Chapters Schism.  That increased concern with Christianity provides both the cause and the cure of the post-Roman anxieties of the period around 600.
The problem about being Christian in a post-Justinianic world was this.  At least for two and a half centuries, since Eusebius had synchronized biblical history with classical, the sixth age of the world had been seen as commensurate with the Roman Empire.  Christ, after all, had been born during the reign of the first Emperor.  Gregory of Tours added that Saint Martin, his hero, had been born during the reign of the first Christian Emperor.  So, what now?  Now that the Empire had so clearly ceased to exist?  This, I propose, is the key to understanding all sorts of aspects of this period.  Many of those alive in the decades around 600 – which they knew was 600 years after Christ – thought they were living after the end of history, after linear time.  Hence the new and apparently qualitatively different apocalypticism that one finds so strongly so strongly marked in Gregory the Great’s writings.  Less widely appreciated is the fact that similar concerns appear in the works of his direct contemporary and namesake, the Bishop of Tours.  Gregory seems to perceive the approaching end, almost malgré lui in Giselle de Nie’s reading.  In de Nie’s view, Gregory began with the idea of reassuring his readers that the end of the world was not nigh but by the time he finished the Histories the evidence of his eyes seemed to tell a different story.  Signs and wonders were on the increase and with them false prophets.  There is a lot in this.  The only problem is that the Preface to Book V of the Histories contains an unmistakable apocalyptic allusion.  Die Nie thus has to argue that V.Praef. was composed late and inserted into an earlier composition.  I’m not convinced by this and have argued that it is actually – at the opposite extreme – the first part of the Histories that Gregory composed.
So, what do you do in a world after time?  In a world devoid of its centuries-old fixed points?  The solution seems to have been to turn to another source of fixed points and underpinnings, the Bible.  Given the synchronism of Christianity and the Empire and the unpicking of the quilting points of the Roman signifying system, then it is not surprising that the Old Testament should have become more of a constant touchstone than before.
This new set of reference points works in a number of directions.  For one thing it allows western kings to find new forms of legitimation.  This is the moment when kings become new Davids and Solomons rather than new Constantines or Trajans.  Religious underpinnings of kingship come to the fore and in a new way.  Earlier, I contrasted the legal pronouncements of Valentinian I and Valentinian III.  If we skip forward another 100 years to the Edict of King Guntramn of Burgundy, issued before the Council of Chalon in 585 we see something qualitatively different again.  This, it seems to me, is the appearance of kingship as divine ministry.  Kingship is a God-given position you don’t find that under the Empire) and the king is responsible for the spiritual well-being of his people.  What I find interesting is that this royal document predates Gregory the Great’s Pastoral Rule by eight years or so.  This suggests to me that Gregory’s thinking, where there’s really nothing to allow a distinction between spiritual and secular pastors, may be rather more typical of his age than has been appreciated.  It suggests to me that the idea of the pastor as answerable for the souls of his flock – for which there were plentiful Old Testament reference points -  was keyed into the apocalypticism of the period.  A judgement was coming. 
Nonetheless, that was useful for royal ideology in what I suspect might have been something of a hegemonic crisis.  In the Empire there had been a what one can label, in Gramscian terms, a civil society in which normative codes served to maintain and legitimise the status quo.  With the unpicking of the classical points de capiton in the period up to c.550, all this will have been questioned.  Why should one do what one’s king said?  A religious – what has been called a monastic or ascetic – replacement must have helped to resolve that crisis.
It might also explain some other religious synchronicity.  In 589, Reccared of the Goths called the Third Council of Toledo, where he renounced the Arian creed that his people had followed for more than two centuries.  Within a decade of that, Æthelberht of Kent allowed Augustine’s mission into his lands and shortly afterwards converted to Christianity.  I have long thought that these events are linked in a current of political and religious thought.  The late and post-imperial trend of adopting a religion that differentiated the military élite from the civil, provincial population was coming to an end.  Perhaps this was because the two groups were by now indistinguishable.  By the time that Ripuarian Law was issued, for example, Romani, rather than being a parallel if legally disadvantaged group of the free population, were semi-free, dependant at law upon free Ripuarians – Franks.  Perhaps, too, in the new world, that way of thinking, locked as it was into an imperial framework, was no longer viable. 
In the intellectual climate of the late sixth century, with the idea of royal ministry gaining ground, perhaps universaility was more important.  This might be equally important inside and outside the former Empire and among former pagans as well as former heretics if – as I suspect was the case, the consciousness of living in a post-Roman world caused ideological crises there too.  This point is of course more readily grasped once one abandons the ‘Invasions’ narrative and sees barbaricum and the Empire not as two antagonistically-opposed worlds but as two inextricably linked parts of the same world. 
The other element of this conjuncture of material, social and mental circumstances was indeed those political crises.  I mentioned at the start the question of why these should have produced what I see as the collapse of the state at this time.  A crisis of the old hegemony would create conditions in which a new order of (in Gramscian terms) civil society could be created but in which also the rules of politics were significantly renegotiated.
A regional aristocracy that acquired a security of local pre-eminence and of the control of surplus could have done what it had done under the Christian Empire, got involved in urban building, sponsored and sent its children to civil schools, had its children educated in the old way, forged a class identity, a control of culture and taste and so on.  But the reference points for that were lacking.  The fixed points according to which the old culture was triangulated had gone.  So new aristocratic cultural forms – like royal – were needed.  Therefore it is at this time that aristocratic (and royal) involvement in monasteries really takes off across the West, from Rome itself as far as Britain.  This expression fits the intellectual currents I have described, not least the concern with ministry and the care of souls, and I suspect a concern with the Day of Judgement.  None of this denies the material advantages bestowed upon the élite by these new forms.  It serves to explain or at least thicken our description of the change in forms.
The coexistence of apocalyptic world view and continuing material politics can be well enough understood via the Lacanian formula much cited by Žižek: Je sais bien mais quand-même: I know very well [that the world is ending] but nevertheless [I’ll go on trying to do the best I can for my family via-à-vis everyone else’s].
We can thicken the description further by considering the nature of the changes in thought.  How does one conceive of a world after time?  The increase in the use of typology is key.  The epistemic change can be nicely illustrated by comparing two large-scale, long-term historical projects: Orosius’ Seven Books of History Against the Pagans, written c.417, and Gregory of Tours’ Ten Books of Histories, written 576-592.  The projects of both are similar to the extent that Gregory quotes Orosius in the key Preface to Book V.  Orosius, though, was more up-beat in his message than Gregory, something significant in itself.  However, although Orosius’ message is very much ‘it was ever thus’, his history unfolds in characteristically classical linear fashion.  Gregory’s Histories, by contrast, concentrate on his own time and are entirely discontinuous.  They work typologically.  The Histories begin not with Creation but with the Cain killing Abel, the type of the event that led Gregory to begin his work: Chilperic’s murder of his brother, Sigebert, in late 575.  After the end of linear time, consequences come about vertically, from God to earth according to the nature of human behaviour.  Gregory writes history as though it were hagiography.  Self-contained anecdotes have their own outcomes manifesting divine presence and they are piled high, typologically, repetitively. 
Pictish symbols: metaphors?
I have already mentioned the prevalence of the miraculous in explanation.  It has been shown, most recently in Charlotte Kingston’s PhD thesis, that Gregory the Great’s discussions of the miraculous manifest the same intellectual traits as his theological writings.  Gregory of Tours seems to reject theological debate in favour of miraculous proofs.  It might be the case, though, that the two Gregories can be brought together, alongside other cultural shifts around an increasingly metaphorical way of thinking.  The Isidorean Style of poetry works, I read, in analogous fashion to Gregory’s history/hagiography; it is episodic and works through synonym, paraphrase with no linear connection between verses.  The model, evidently, is the Psalms. The effect seems to me to be to unsettle and, thereby enable a shift to meditation on meaning, on the issues in question.  In that sense I think that Gregory the Great’s ‘freewheeling’ theology and Gregory of Tours’ preference for the ‘sign’ over the text (so to speak) might be more alike than has been appreciated.  It’s possible, idly, to wonder whether Style II on the one hand and the Pictish symbols on the other might themselves be different manifestations of a metaphoric current of thought.
Je sais bien mais quand-même…  We can return to the attractions of all this in a new political world, a new civic society.  Disjuncture, discontinuity, typology and metaphor might be very attractive to new or redefined élites.  The aristocracies on either side of the Channel, maybe north of Hadrian’s Wall and in other areas, even in Italy, were frequently new groups.  This is where typology and metaphor are so valuable.  They imply the ‘always, already’.  Groups with no lineal descent – even if trying to create such – find their justification typologically. 
So we can end by returning to the above-ground monuments.  If there is a link on occasion with the past, I think we ought to conceive of this in other than simply ancestral terms.  I think it is more important to see it as a discontinuous over-writing but above all the concern is with a monument that will last into the future.  The irony is that that concern with the future, which I see in the burial monuments, the retention of documents and their increased use, is that on the eve of the Apocalypse it was essentially a very short-term view!
Apocalypse soon?  Agilbert's Sarcophagus, Jouarre (c.670)
Does anyone know of an earlier depiction of the Day of
Judgement?
That leads me to my concluding thought.  The conjuncture of political, material and intellectual circumstances around 600 created a very specific world-view.  Within half a century the moment passed.  The world didn’t end.  Of course Apocalypticism persisted, but Bede, born not long after the end of my period, returned to the Augustinian idea that the Day of Judgement was not coming soon.  It is interesting that according to Mark Handley’s studies, after III Toledo, the use of the Spanish Era largely dropped out of use for a few decades.  To me it’s as though they thought they had better stop counting.  By the second quarter of the seventh century they had started again. 
Apocalyptic worries, c.700.  An inscription
from Mellobaudes Memoria, Les Dunes,
Poitiers: ALFA ET INITIUM ET FINIS.
QUONIAM QUIDQUID QUOTIDIAE
PEIUS ET PEIUS QUONDIAM FINIS
APPROPRINQUIT
In Barbarian Migrations I narrated the end of the Roman Empire in ironic terms. 
The most ironic thing of all, however, is that during the preceding century it is almost impossible to identify a single figure who had actually tried to cause its demise.  All the decisive acts in bringing down the Empire were carried out by people attempting to create a better position for themselves within the sorts of imperial structures that had existed in the fourth century.
Similarly, if the mental, cultural and political world c.650 was more recognisably medieval, if many of the tramlines that defined ‘medieval’ thought, culture and politics were set in place around 600, then this was largely because many people thought the world would end at that sort of time.  That would mean that – if you like to think in these terms – the creation of the medieval world, like the end of the Roman Empire came about by accident.  It was a monument to history’s inevitable irony.